Send the recording
- Connect the Slack workspace where you want to review the episode
- Connect the Google Drive that will hold the files
- Upload one track for each speaker
- Tell SADIE the purpose of the episode and what must stay
Send SADIE the raw tracks. She plans the cut and gets your approval. Then she edits the episode and returns the transcript, requested show notes, masters, and editable files to your Drive.
Your Google Drive holds the files. Slack holds the decisions. You do not need to learn audio software or write a cut list.
SADIE reads the transcript and marks what should stay, move, tighten, or go. She explains each choice in a paper edit. You comment before she touches the sound.
This 20-page sample uses a fictional podcast. The hosts, dialogue, and edit decisions are not from a published show.
Open the paper edit

No project file opens in every podcast editor. SADIE starts with standard WAV files. She also adds session files for common professional tools. Your editor can continue from the approved cut.
The approved cut stays in separate, aligned files. The next editor starts from SADIE’s timing instead of a flat master.
The reference shows how the episode should sound. The edit record shows each clip and timing decision.
Professional audio tools use different file formats. SADIE supplies several versions of the approved edit.
A professional editor can return to material that SADIE left out.
She works in one Slack thread. You can see each decision from the first file check to the final master.
SADIE checks the files first. If the tracks do not align, she stops and tells you.
She makes a transcript and checks each speaker before she plans the cut.
She proposes the opening, closing, moves, cuts, and tighter passages. She explains each choice.
You approve or change the plan. SADIE applies the final plan to the audio.
She repairs, mixes, and masters the episode. The checked transcript, requested show notes, masters, reports, and editable files arrive in your Drive.
Editing software, automatic processing, a podcast editing agency, and SADIE solve different parts of the job.
You make each story decision and operate the timeline. The software gives you direct control of every cut.
Choose this when you have time to edit and want full control of the tools.
Software can reduce noise, level the volume, and shorten silences. It does not always decide what the episode should say.
Choose this when the story is set and the sound needs routine cleanup.
A person can cover the story, audio, video, publishing, and promotion. The work depends on the provider and contract.
Choose this when you want a human partner or need work beyond audio.
SADIE checks the transcript, plans the story, edits the approved audio, and delivers the master with editable files. She prepares show notes when requested.
Choose this when the recording is done and you want one producer to own audio post-production.
Product scope can change. Each link goes to the provider's own description.
She checks the transcript, finds the story in the raw recording, makes the approved cut, and delivers the measured master with editable files. Ask for show notes and she prepares them from the approved episode.
She works in your Slack and Google Drive. Read her producer profile to see the rest of her work and her limits.
Upload the raw tracks to your Google Drive. SADIE checks the files, makes a transcript, and prepares a paper edit. You approve the plan. She then edits, repairs, mixes, and masters the audio. The finished files return to your Drive.
Connect your Google Drive. SADIE creates a folder for the show. Upload one track for each speaker. The raw recordings and finished files stay in your Drive.
You do. SADIE prepares the first cut plan. The paper edit shows what she wants to keep, cut, move, or tighten. It also explains why. You approve the plan before she edits the audio.
Yes. Every finished episode includes aligned WAV files, a stereo reference, an edit record, and session files for common professional audio tools. Your editor can continue the work without rebuilding the approved cut.
Yes. SADIE creates and checks the episode transcript as part of the edit. Ask for show notes and she prepares them from the approved episode. You review names, links, claims, and publication copy before anything is published.
SADIE stops and tells you what she found. She asks for corrected files before she continues. She does not hide an uncertain track alignment in the finished edit.
No. SADIE handles audio post-production. She does not record, publish, edit video, or make clips and shorts in the current version.
Find the business function includes this decision and the questions that usually change it.
A specialist can carry defined production work such as an edited podcast, show notes, a content brief, a production file, or an approved asset package.
A work product is an inspectable result such as a brief, forecast, edited episode, filing package, or maintained record.
Yes, when the finish line is observable: a named work product, required sources, acceptance checks, an approval point, and a delivery window.
Send the raw tracks. Approve the paper edit. Get back a finished episode and files your team can keep.
Last updated August 23, 2026